Italian cinema has repeatedly transformed real lives, political scandals, crimes and acts of courage into compelling films. These stories lead viewers far beyond postcard Italy, revealing a country shaped by war, organized crime, social conflict, artistic ambition and resistance to authority.
The films below span more than sixty years of filmmaking. Some closely reconstruct documented events, while others introduce fictional characters or compress timelines for dramatic purposes. Together, they offer an absorbing journey through modern Italian history and complement Italiamia’s guide to the history of Italian cinema.
1. Salvatore Giuliano (1962)
Director: Francesco Rosi
Francesco Rosi’s groundbreaking political drama examines the life and mysterious death of Salvatore Giuliano, the Sicilian bandit whose body was discovered in a Castelvetrano courtyard in 1950.
Rather than presenting Giuliano as a conventional screen hero, Rosi keeps him largely at the edge of the story. The director reconstructs the competing forces surrounding him: Sicilian separatists, landowners, peasants, the Mafia, police and national politicians.
The film pays particular attention to the 1947 Portella della Ginestra massacre, when gunmen attacked a May Day gathering of peasants. Its fragmented structure asks viewers to investigate the event instead of accepting a simple official explanation.
Why watch it: It is one of the essential examples of Italian investigative cinema and a powerful portrait of postwar Sicily.
2. Sacco and Vanzetti (1971)
Director: Giuliano Montaldo
This Italian-French production tells the story of Nicola Sacco and Bartolomeo Vanzetti, two Italian immigrant anarchists convicted of murder in Massachusetts and executed in 1927.
Their trial became an international cause célèbre. Supporters argued that anti-immigrant prejudice and hostility toward their political beliefs had prevented them from receiving a fair trial.
Gian Maria Volonté and Riccardo Cucciolla give deeply affecting performances, while the score by Ennio Morricone includes “Here’s to You,” sung by Joan Baez. The song helped carry the defendants’ story to a new generation.
Why watch it: The film combines courtroom drama, political history and the painful experience of Italian migration.
3. The Mattei Affair (1972)
Italian title: Il caso Mattei
Director: Francesco Rosi
Enrico Mattei transformed Italy’s state-controlled energy sector after World War II and turned ENI into an international competitor. His willingness to challenge established Western oil interests made him both influential and controversial.
Mattei died in a plane crash near Pavia in 1962. Rosi’s film does not pretend to solve the case. Instead, it investigates the competing political and economic interests surrounding Mattei’s rise and death.
Gian Maria Volonté plays Mattei with enormous energy, shifting between public charisma, strategic calculation and private uncertainty. Documentary material, dramatized scenes and Rosi’s own investigation are deliberately intertwined.
Why watch it: This Palme d’Or winner is a masterful demonstration of how cinema can investigate power without inventing an easy conclusion.
4. One Hundred Steps (2000)
Italian title: I cento passi
Director: Marco Tullio Giordana
Peppino Impastato grew up in Cinisi, Sicily, only one hundred steps from the home of Mafia boss Gaetano “Tano” Badalamenti. Although members of Impastato’s family had Mafia connections, he openly rejected that culture.
Through political activism and his independent radio station, Impastato mocked local bosses and exposed organized crime. He was murdered in 1978, but his death was initially presented as either an accident or suicide.
Luigi Lo Cascio’s performance captures Peppino’s humor, anger and courage without turning him into a flawless martyr. The film also shows the personal cost of resisting a criminal organization embedded within one’s community.
Why watch it: It is one of the most accessible and emotionally powerful Italian films about anti-Mafia resistance.
5. Fort Apache Napoli (2009)
Italian title: Fortapàsc
Director: Marco Risi
Fortapàsc recounts the final months of Giancarlo Siani, a young journalist who investigated the Camorra and its connections to business and local politics.
Working for the Naples newspaper Il Mattino, Siani reported on criminal alliances and the consequences of a major arrest. He was murdered outside his home in 1985 at the age of 26.
Libero De Rienzo portrays him not as a fearless action hero but as an energetic young reporter gradually realizing how dangerous his work has become. The film’s title uses the ironic nickname given to Torre Annunziata during a period of intense Camorra violence.
Why watch it: It offers a moving tribute to investigative journalism and to those who confront organized crime with information rather than weapons.
6. Vincere (2009)
Director: Marco Bellocchio
Before Benito Mussolini became Italy’s Fascist dictator, he had a relationship with Ida Dalser, who claimed that they had married and that Mussolini was the father of her son, Benito Albino.
As Mussolini’s political power grew, Dalser and her child became inconvenient reminders of his earlier life. She was confined to psychiatric institutions, separated from her son and repeatedly silenced.
Bellocchio presents the story through bold imagery, newsreels and melodramatic intensity. Giovanna Mezzogiorno gives a fierce performance as a woman fighting to have her identity and history recognized.
Why watch it: It explores Fascism through a profoundly personal story of abandonment, erasure and state power.
7. Piazza Fontana: The Italian Conspiracy (2012)
Italian title: Romanzo di una strage
Director: Marco Tullio Giordana
On December 12, 1969, a bomb exploded inside the Banca Nazionale dell’Agricoltura in Milan’s Piazza Fontana, killing 17 people and injuring scores more. The attack became a defining event in Italy’s “Years of Lead.”
The film follows police commissioner Luigi Calabresi, anarchist Giuseppe Pinelli and the investigation that initially targeted Milan’s anarchist community. Pinelli subsequently died after falling from a window at police headquarters.
Giordana examines the atmosphere of fear, disinformation and political manipulation surrounding the bombing. Because many aspects of the case remained disputed for decades, the film should be approached as a dramatic interpretation rather than a final historical verdict.
Why watch it: It provides a useful introduction to one of the most complicated and traumatic chapters of postwar Italian history.
8. The Mafia Kills Only in Summer (2013)
Italian title: La mafia uccide solo d’estate
Director: Pif
This unusual film combines a fictional coming-of-age story with real Mafia violence in Palermo. Its central character, Arturo, grows up while assassinations, political compromises and anti-Mafia resistance reshape the city around him.
Director and actor Pif uses comedy to show how organized crime became normalized in everyday conversation. The deliberately reassuring phrase in the title reflects the evasions adults use to protect themselves—and their children—from an alarming reality.
Historical figures including Boris Giuliano, Carlo Alberto dalla Chiesa, Rocco Chinnici, Giovanni Falcone and Paolo Borsellino enter Arturo’s world, connecting his fictional life to documented events.
Why watch it: Humor makes the history approachable without diminishing the courage of the Mafia’s victims.
9. The Traitor (2019)
Italian title: Il traditore
Director: Marco Bellocchio
Tommaso Buscetta was a senior Sicilian mafioso who broke the organization’s code of silence and provided evidence to judge Giovanni Falcone. His testimony helped prosecutors explain the structure of Cosa Nostra during the landmark Maxi Trial.
Pierfrancesco Favino portrays Buscetta as intelligent, proud and morally contradictory. He cooperates with the authorities, yet continues to distinguish between his personal idea of an honorable Mafia and the organization’s brutal reality.
Bellocchio avoids presenting him as a conventional hero. The film instead studies loyalty, revenge, family destruction and the elaborate performances surrounding Mafia power.
Why watch it: It is a gripping crime drama anchored in one of the most important judicial campaigns in modern Italy.
10. Hidden Away (2020)
Italian title: Volevo nascondermi
Director: Giorgio Diritti
Antonio Ligabue became one of Italy’s most recognizable twentieth-century painters, but his life was marked by poverty, isolation, mental distress and rejection.
Born in Switzerland to an Italian mother, Ligabue was expelled to Italy and settled near the Po River. He lived on the margins of society while developing an intensely personal style filled with animals, self-portraits and scenes of conflict.
Elio Germano won the Berlin International Film Festival’s acting prize for his physical and emotionally demanding portrayal. The performance communicates Ligabue’s vulnerability without reducing his art to a symptom of suffering.
Why watch it: It is an compassionate portrait of creativity emerging from loneliness and exclusion.
11. Rose Island (2020)
Italian title: L’incredibile storia dell’Isola delle Rose
Director: Sydney Sibilia
In 1968, engineer Giorgio Rosa constructed an artificial platform in the Adriatic Sea, beyond what was then Italy’s territorial limit. He declared it an independent state called the Republic of Rose Island.
The tiny micronation had its own flag, currency, stamps and official language. Italian authorities, however, regarded the platform as a political, legal and security problem.
Sydney Sibilia turns the episode into an energetic comedy about engineering, bureaucracy and youthful rebellion. The film changes and simplifies parts of the real story, but the extraordinary island itself was genuine.
Why watch it: This is the lightest film on the list and proof that Italian true stories do not always end in tragedy.
12. The Catholic School (2021)
Italian title: La scuola cattolica
Director: Stefano Mordini
This disturbing drama is based on the 1975 Circeo massacre, in which two young women were kidnapped and tortured by men from privileged Roman families. One victim, Rosaria Lopez, was murdered; the other, Donatella Colasanti, survived.
Adapted from Edoardo Albinati’s book, the film looks beyond the crime to the social environment surrounding the perpetrators: rigid ideas about masculinity, class privilege, violence and institutional hypocrisy.
The narrative introduces fictionalized perspectives and does not function as a literal reconstruction of every event. Its subject matter makes it unsuitable for viewers who wish to avoid depictions of sexual violence.
Why watch it: It examines how family, education and social status can conceal destructive attitudes rather than correct them.
13. The King of Laughter (2021)
Italian title: Qui rido io
Director: Mario Martone
Eduardo Scarpetta dominated Neapolitan popular theatre at the end of the nineteenth century and created the famous comic character Felice Sciosciammocca.
The film concentrates on Scarpetta’s unconventional household, theatrical empire and legal battle with poet Gabriele D’Annunzio. Scarpetta was sued after creating a parody of D’Annunzio’s tragedy The Daughter of Iorio.
Toni Servillo presents the actor-manager as exuberant, demanding, affectionate and deeply self-centered. Around him are members of an extraordinary theatrical family whose later generations included Eduardo, Peppino and Titina De Filippo.
Why watch it: It recreates the colorful world of Neapolitan theatre while exploring the uncertain boundary between parody and artistic ownership.
14. Kidnapped (2023)
Italian title: Rapito
Director: Marco Bellocchio
In 1858, papal authorities removed six-year-old Edgardo Mortara from his Jewish family in Bologna. A former servant claimed that she had secretly baptized the boy when he was dangerously ill, and the laws of the Papal States prohibited a baptized child from being raised by Jewish parents.
Pope Pius IX refused international demands to return Edgardo. The case became a symbol of religious authority, antisemitism and the declining temporal power of the papacy during Italian unification.
Bellocchio tells the story with the intensity of a family nightmare. The film concentrates on both the parents’ struggle and the psychological transformation of a child placed under enormous institutional pressure.
Why watch it: It brings a once internationally notorious case back into public memory with urgency and visual power.
15. Comandante (2023)
Director: Edoardo De Angelis
During World War II, Salvatore Todaro commanded the Italian submarine Cappellini. After sinking the Belgian merchant ship Kabalo in the Atlantic in October 1940, he chose to rescue its surviving crew.
Taking the men aboard forced the overloaded submarine to travel on the surface, where it was more vulnerable to enemy attack. Todaro nevertheless transported the survivors to safety.
Pierfrancesco Favino plays the commander as an austere and physically wounded man whose sense of maritime duty transcends wartime divisions. The film opened the 80th Venice International Film Festival.
Why watch it: Its central act of compassion raises enduring questions about military orders, personal conscience and the obligations owed to an enemy.
How Closely Do These Films Follow the Truth?
“Based on a true story” can mean several different things. Salvatore Giuliano and The Mattei Affair use investigative structures that openly acknowledge uncertainty. Rose Island reshapes events into a fast-moving comedy, while The Mafia Kills Only in Summer places a fictional protagonist inside documented history.
Even the most conscientious historical film compresses time, combines characters and invents private conversations. These works are therefore best treated as starting points. They can inspire viewers to read about Peppino Impastato, Giancarlo Siani, Enrico Mattei, Edgardo Mortara and the many other people represented on screen.
What they provide exceptionally well is emotional access to history. Through individual lives, Italian cinema makes political systems, criminal networks and social conflicts feel immediate and human.
For more influential films, directors and movements, continue exploring Italiamia’s Italian cinema section.
External Sources
Criterion – Salvatore Giuliano
Italian Cultural Institute of Melbourne – The Mattei Affair
Italy for Movies – Italian film and television archive
Festival de Cannes – The Traitor
Venice Biennale – Comandante Opens the 80th Venice Film Festival